Tate announced a new initiative dedicated to bringing more work by Indigenous artists into its collection. Building on the success of recent acquisitions and custodianship agreements, this strategy seeks to create a step-change in the number of contemporary artists from Indigenous communities around the world whose work is represented at Tate.
The programme launches with a four-year commitment from the AKO Foundation to fund acquisitions of Sámi and Inuit art from Northern Europe. This continues the AKO Foundation’s generous support of Tate over recent years, including for the exhibitions Olafur Eliasson(2019), the Turner Prize (2021) and Surrealism Beyond Borders (2022), as well as a programme of events at Tate Modern to coincide with the UN Climate Change Conference COP26 in 2021.
Similar projects to research, collect and display the work of artists from other Indigenous communities will follow, including in South Asia, Oceania and the Americas. These will strengthen the work of Tate’s existing acquisition committees in these regions and further Tate’s commitment to championing art in all its diversity.
Karin Hindsbo, Director of Tate Modern, said “We are beginning to see greater recognition of Indigenous contemporary artists around the world, as this year’s Venice Biennale demonstrates so brilliantly. Tate has long been dedicated to expanding the canon of art history and we can now take that work even further. I’m particularly delighted that Sámi and Inuit artists from Northern Europe – an area of artistic practice very close to my heart – will soon be represented in Tate’s ever-more-diverse international collection for the first time.”
The first works to be acquired through the new fund will be Outi Pieski’s woven hanging installation Guržot ja guovssat / Spell on You! 2020 and its companion piece Skábmavuođđu / Spell on Me! 2024 created during her residency at Porthmeor Studios in Cornwall. The artist has described how the laborious act of weaving these installations “references ritual, sacrifice, redress, atonement, and the contradictory forces in Sámi societies.”
Main Image :Installation view of Outi Pieski at Tate St Ives, 2024. Photo © Tate (Oliver Cowling)
Anna Melnykova, "Palace of Labor (palats praci), architector I. Pretro, 1916", shot with analog Canon camera, 35 mm Fuji film in March 2022.
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