The International Jury of the Biennale Arte 2024 announced

Thursday, April 4, 2024
The International Jury of the Biennale Arte 2024 announced

The Jury, chaired by Julia Bryan-Wilson, will award the official prizes. The Awards Ceremony will take place in Venice on Saturday, 20th April 2024.

The International Jury of the 60th International Art Exhibition of La Biennale di Venezia is made up of Julia Bryan-Wilson (president), American curator and professor at Columbia University; Alia Swastika, Indonesian curator and writer; Chika Okeke-Agulu, Nigerian curator and art critic; Elena Crippa, Italian curator; and María Inés Rodríguez, French-Colombian curator.

The appointment of the Jury has been deliberated by the Board of Directors of La Biennale di Venezia upon recommendation by Adriano Pedrosa, the Curator of the 60th Exhibition titled Stranieri Ovunque – Foreigners Everywhere, that will be held in Venice (Giardini and Arsenale) from April 20th to November 24th, 2024.

Julia Bryan-Wilson – President – is Professor of Contemporary Art and LGBTQ+ Studies at Columbia University. Her curatorial credits include Cecilia Vicuña: About to Happen (with Andrea Andersson) and Louise Nevelson: Persistence. She is the author of Art Workers: Radical Practice in the Vietnam War Era; Fray: Art and Textile Politics (winner of the ASAP Book Prize, the Frank Jewett Mather Award, and the Robert Motherwell Book Award); and Louise Nevelson’s Sculpture: Drag, Color, Join, Face. Bryan-Wilson was a 2019 Guggenheim Fellow.

Alia Swastika is a curator and researcher/writer that expands her practices in the last 10 years on the issue and perspectives of decoloniality and feminism, where she involved with different projects of decentralization of art, rewriting art history and encouraging local activism. She works as the Director of Biennale Jogja Foundation in Yogyakarta, Indonesia. She continues her researches on Indonesian female artists during Indonesia’s New Order and how the politics of gender from the regime influenced the practices of artists from that period. She is now part of curatorial team of Sharjah Biennale 16 in 2025.

Chika Okeke-Agulu is Director of the Program in African Studies, Director of Africa World Initiative, and Robert Schirmer Professor of Art & Archaeology and African American Studies, Princeton University. Okeke-Agulu is Slade Professor of Fine Art, University of Oxford (2023), and a Fellow of The British Academy. He is editor of Nka: Journal of Contemporary African Art and author of El Anatsui. The Reinvention of Sculpture (2022). He is on the advisory board of the Hyundai Tate Research Centre, Tate Modern.

Elena Crippa is an Italian curator based in London. Since 2023, she has been Head of Exhibitions at London’s Whitechapel Gallery. She was previously Senior Curator of Modern and Contemporary Art at Tate Britain, where her exhibitions explored transnational and transcultural intersections and engaged with art from a global perspective. Her shows at Tate included All Too Human (2018), Frank Bowling (2019) Paula Rego (2021) and the 2022 commission Hew Locke: The Procession.

María Inés Rodríguez is a Colombian French curator, currently Director of the Walter Leblanc Foundation in Brussels and Artistic Director of Tropical Papers. With a profound commitment to fostering a dialogue between artistic production and historical, political, and social contexts on both local and global levels, she has consistently championed the interconnectedness of art and its broader cultural implications. She was the Director of the CAPC Musée d'art Contemporain, Bordeaux, Curator at Large at MASP, São Paulo; Chief Curator at the MUAC in Mexico City, as well as at the MUSAC in Spain and guest curator at the Jeu de Paume in Paris.

ArtDependence WhatsApp Group

Get the latest ArtDependence updates directly in WhatsApp by joining the ArtDependence WhatsApp Group by clicking the link or scanning the QR code below

whatsapp-qr

Subscribe to the Newsletter

Image of the Day

Anna Melnykova, "Palace of Labor (palats praci), architector I. Pretro, 1916", shot with analog Canon camera, 35 mm Fuji film in March 2022.

Anna Melnykova, "Palace of Labor (palats praci), architector I. Pretro, 1916", shot with analog Canon camera, 35 mm Fuji film in March 2022.

Search

About ArtDependence

ArtDependence Magazine is an international magazine covering all spheres of contemporary art, as well as modern and classical art.

ArtDependence features the latest art news, highlighting interviews with today’s most influential artists, galleries, curators, collectors, fair directors and individuals at the axis of the arts.

The magazine also covers series of articles and reviews on critical art events, new publications and other foremost happenings in the art world.

If you would like to submit events or editorial content to ArtDependence Magazine, please feel free to reach the magazine via the contact page.