Arts and Heritage Minister Lord Parkinson of Whitley Bay has placed an export bar on William Hogarth’s satirical painting ‘Taste in High Life’. The work, valued at £2,468,000 (plus VAT of £93,600 which can be reclaimed by an eligible institution), is at risk of leaving the UK unless a domestic buyer can be found to acquire the work for the nation.
The 18th-century painting provides an important insight into public sentiment during the period, notably the ambivalence and tension that emerged with Britain’s growing commercial and consumer culture, as well as female patronage of the arts.
‘Taste in High Life’ holds an important position in Hogarth’s body of work, helping to elevate satire in the painted form to a high art. Hogarth became prominent in the 18th century for his satirical commentary on the upper classes, which would also feature in his celebrated series ‘Marriage A-la-Mode’.
The painting was commissioned by Mary Edwards (1705–43), an English heiress said to be the richest woman in England at the time. The painting is based on her own experience of high society and is therefore shaped by her personal disenchantment with fashionable life, particularly expressing her scathing attitude to contemporary tastes.
Anna Melnykova, "Palace of Labor (palats praci), architector I. Pretro, 1916", shot with analog Canon camera, 35 mm Fuji film in March 2022.
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