ArtDependence | Dirk Vanduffel

Dirk Vanduffel, Belgium (co-founder, co-editor)

Dirk defines the overall policy of ArtDependence Magazine, in addition to conducting interviews. He specializes in valuation and auctioning.

Articles (90)

Article date: Sunday, May 23, 2021

Interview with The Gallery Climate Coalition

Dirk Vanduffel, Managing Editor of ArtDependence had a conversation with The Gallery Climate Coalition (GCC), on how they are reaching art institutions based on their core objectives, which is, facilitating a greener and more sustainable art world.

Article date: Thursday, May 20, 2021

Interview with Flemish Minister President and Minister of Culture Jan Jambon On Navigating the Flemish Cultural Landscape During the Pandemic

Dirk Vanduffel of ArtDependence had a conversation with Flemish Minister President and Minister of Culture, Jan Jambon, on how he navigates the Flemish cultural landscape through the ongoing pandemic period.

Article date: Tuesday, December 1, 2020

Interview with Belgian Artist Johan Gelper

For Johan Gelper, drawing is a way of thinking, a way of giving physical dimensions to his ideas. The drawings are a study of organic growth and probe the boundary between 'intuitive' drawing and 'construction'.

Article date: Wednesday, November 11, 2020

Sven Eisenhut, Director of Photo Basel, On 2020 – The Year That Art Fairs Went Virtual

"This time is tough for many of us on all levels – I just make sure to be as compliant as I can be with the rules set by the Swiss federal government. Within our team we try to do as much as possible over video conferences so that we can avoid public transportation".

Article date: Thursday, May 14, 2020

Interview with Micha Patiniott

'I like to tilt the image by adding what is for just a second an association to the subject. Through simple manipulations, the subjects are given a charge that makes them into something else; they suggest multiple meanings, or even a way of looking at reality'.

Article date: Saturday, March 28, 2020

Why I didn’t Visit the European Fine Art Fair (TEFAF) this Year

"I was a young adult when I visited TEFAF the first time. The 2020 edition could have been my 30th visit. For the first 20 years I visited TEFAF with my uncle, a smart man. He could determine the most expensive piece between 2 almost identical still life flowers from the old masters. I remember Mr Noortman’s booth at the entrance. Mr Noortman was always smoking a cigar. At Mr Loek Brons’ booth you could always grab a Dutch mint candy. The entrance was decorated with the most beautiful flower bouquets (I look differently at the flowers now). It was an impressive fair".

Article date: Monday, August 19, 2019

Lionel Jusseret on Capturing the Unpredictable

"So I turned instinctively to documentary cinema. It allows for lighter equipment and more independence. I discovered the working methods of Robert Flaherty and Johan van der Keuken: intimacy with the subject, immersion and long term work. They were searching for unpredictability to inject life into their movies. That was what I wanted also".

Article date: Thursday, August 8, 2019

Artistic Practice with Maxim Ryckaerts

"My work questions the volatile nature of the stuff we’re surrounded with everyday. I try to tell an urban story in a wayward manner, with the recurring theme of the strange interaction between language and matter. I have an ongoing fascination with symbols, icons and puzzles".

Article date: Friday, June 21, 2019

An Interview with the New Owners of Art Düsseldorf

"I believe Art Düsseldorf has great potential for growth and I’m always interested in working with fairs that add value to the market. Walter Gehlen and his team have enjoyed two very successful editions - we can now couple this with the experience and knowledge Angus Montgomery Arts has garnered from over 40 years of establishing contemporary art fairs. Welcoming Art Düsseldorf into our portfolio will, I hope, enable the fair to benefit from our wider international audiences of collectors, exhibitors and partners".

Article date: Wednesday, June 19, 2019

Would Crown Prince Mohammed Bin Salman take the Insurance Risk displaying Da Vinci’s Salvator Mundi on his Superyacht?

In an article from Artnet, journalist Kenny Schachter claims to know the whereabouts of the legendary Da Vinci painting Salvator Mundi. ArtDependence asked Jan Van Hecke, Fine Art Manager at insurance broker Vanbreda Risk & Benefits in Antwerp, Belgium, what the potential premium might be for such a high risk position, whether the work would be insurable in these circumstances and what the conditions would be.

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Image of the Day

Anna Melnykova, "Palace of Labor (palats praci), architector I. Pretro, 1916", shot with analog Canon camera, 35 mm Fuji film in March 2022.

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About ArtDependence

ArtDependence Magazine is an international magazine covering all spheres of contemporary art, as well as modern and classical art.

ArtDependence features the latest art news, highlighting interviews with today’s most influential artists, galleries, curators, collectors, fair directors and individuals at the axis of the arts.

The magazine also covers series of articles and reviews on critical art events, new publications and other foremost happenings in the art world.

If you would like to submit events or editorial content to ArtDependence Magazine, please feel free to reach the magazine via the contact page.