FOAM Shows 'Adorned – The Fashionable Show'

Tuesday, January 28, 2020
FOAM Shows 'Adorned – The Fashionable Show'

The exhibition Adorned – The Fashionable Show presents intriguing and challenging fashion related photography projects created by a new generation of visual artists. They all work with fashion, but most of them are not straightforward fashion photographers. For them, fashion and style are primarily tools to construct or question identities, to empower people and to play with cultures, gender, race and ages.

Image: Untitled, from the series Our Tribe, 2018 © The Sartists courtesy of the artists

 

What is fashionable and what does it convey about ourselves? How do we adorn ourselves? How do we use fashion to show who we are, who we think we are, or who we want to be?

 

Brooklyn 01, 2017 © Arielle Bobb Willis courtesy of the artist

 

The exhibition Adorned – The Fashionable Show presents intriguing and challenging fashion related photography projects created by a new generation of visual artists. They all work with fashion, but most of them are not straightforward fashion photographers. For them, fashion and style are primarily tools to construct or question identities, to empower people and to play with cultures, gender, race and ages.

While some participating artists have already been discovered by well-established fashion brands, others continue to work from within their own communities. They are outspoken, challenging, critical or provocative, but always highly relevant in a time defined by fundamental power shifts in which access, diversity and identity are keywords.

Themes:
The works in the exhibition act as a measurement of our progress towards new ways of seeing and being. Artist Catherine Servel’s series of refreshingly average sized models makes a compelling case for using models who are more representative of the wider population, while Sneakers like Jay-Z, a project by artists Ambroise Tézenas and Frédéric Delangle, presents an intimate look at how identity can re-shape itself in response to a change in environment and circumstance using clothing as a signifier and catalyst.

 

Untitled, from te series Boys of Hong Kong, 2018 © Alexandra Leese courtesy of the artist

 

Alongside this, there is also an emphasis on young photographers representing the LGBTQ+, black and POC communities. One example being Mohamad Abdouni who explores and documents his community and queer culture in the Middle East. Justin Dingwell’s body of work A Seat at the Tablerefers to the phrase of widening conversation and debate and working to ensure that a broader spectrum of voices are heard and have the opportunity to sit at the negotiating table, where decisions are made, rather than it continuing to be a position for the privileged and the few. The table being the fashion industry determining the rules of beauty.

 

Untitled, from the series Our Tribe, 2018 © The Sartists courtesy of the artists

 

Participating artists: 
Mohamad Abdouni (Lebanon), Arielle Bobb-Willis (United States), Giovanni Corabi & Roberto Ortu (Italy), Justin Dingwall (South Africa), Julia Falkner & Lorena Hydeman (Austria & United Kingdom), Casper Kofi (Netherlands), Alexandra Leese (United Kingdom & Hong Kong), Tyler Mitchell (United States), Hadar Pitchon (United States), Mateus Porto (United States), The Sartists (South Africa), Catherine Servel (United States), Suzie and Leo (France), Ambroise Tézenas & Frédéric Delangle (France).

 

FOAM , Amsterdam, Through 11 March, 2020

 

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