Léon Spilliaert The early years at Royal Museums of Fine Art Belgium

Wednesday, April 26, 2023
Léon Spilliaert The early years at Royal Museums of Fine Art Belgium

In 2022, the Royal Museums of Fine Arts of Belgium received a unique edition of 'Théâtre' by Maurice Maeterlinck (1862-1949). The three volumes bring together some of his writings for theatre. No fewer than 348 original drawings by Ostend artist Léon Spilliaert (1881-1946) illustrate the whole. The work was acquired by the Eliane Vercaempt Fund managed by the King Baudouin Foundation. Because of their cultural-historical and artistic significance, the books have the status of Masterpiece of the Flemish Community.

In 2022, the Royal Museums of Fine Arts of Belgium received a unique edition of 'Théâtre' by Maurice Maeterlinck (1862-1949). The three volumes bring together some of his writings for theatre. No fewer than 348 original drawings by Ostend artist Léon Spilliaert (1881-1946) illustrate the whole. The work was acquired by the Eliane Vercaempt Fund managed by the King Baudouin Foundation. Because of their cultural-historical and artistic significance, the books have the status of Masterpiece of the Flemish Community.

This focus exhibition places Spilliaert's illustrations for 'Théâtre' in context. They are presented with a selection of the artist's early works from the collection of the Museum. Spilliaert was barely 21 years old when he drew the illustrations. They testify to a mature and highly personal translation of Maeterlinck's uncanny theatrical world and point ahead to subjects and representations of drawings he would create in the following years.

Léon Spilliaert unfolded his talent in art in an entirely unique way. Even as a teenager, he was drawn to the 'paper world'. Inspired by literature and philosophy, he depicts the interpretation of his reading in drawings.

A brief stint at the Bruges academy in late 1899 does not prevent him from going public with his work. He first does so in the closed circles of art and book lovers, such as the well-known Brussels publisher and bookseller Edmond Deman and writer Emile Verhaeren.

In the first decade of the 20th century, the period highlighted in this focus exhibition, the young artist is in existential search. After brief stays in Brussels and Paris, he returns to his familiar Ostend. The restlessness and symbolic layering of his earliest works gives way to a deep experience of the here and now, depicted in interiors and seascapes.

ArtDependence WhatsApp Group

Get the latest ArtDependence updates directly in WhatsApp by joining the ArtDependence WhatsApp Group by clicking the link or scanning the QR code below

whatsapp-qr

Subscribe to the Newsletter

Image of the Day

Anna Melnykova, "Palace of Labor (palats praci), architector I. Pretro, 1916", shot with analog Canon camera, 35 mm Fuji film in March 2022.

Anna Melnykova, "Palace of Labor (palats praci), architector I. Pretro, 1916", shot with analog Canon camera, 35 mm Fuji film in March 2022.

Search

About ArtDependence

ArtDependence Magazine is an international magazine covering all spheres of contemporary art, as well as modern and classical art.

ArtDependence features the latest art news, highlighting interviews with today’s most influential artists, galleries, curators, collectors, fair directors and individuals at the axis of the arts.

The magazine also covers series of articles and reviews on critical art events, new publications and other foremost happenings in the art world.

If you would like to submit events or editorial content to ArtDependence Magazine, please feel free to reach the magazine via the contact page.