Over Flow Project by Tadashi Kawamata for MAAT’s Oval Gallery leads the season

Thursday, September 6, 2018
Over Flow Project by Tadashi Kawamata for MAAT’s Oval Gallery leads the season

A new commission by Tadashi Kawamata for MAAT’s Oval Gallery is prone to be the highlight of this season, joined by a new proposal for the Project Room by renowned Portuguese artist João Louro

Image: Over Flow by Tadashi Kawamata

 

In October, the Oval Gallery hosts a new project by Japanese artist Tadashi Kawamata, an immersive installation of monumental scale that offers a visceral warning about the proliferation of plastic debris in our oceans.

 

Entering a dialogue with the Eco-Visionaries project, Tadashi Kawamata’s solo exhibition at MAAT’s Oval Gallery is centered around questions of global ecology. Over Flow is a truly immersive installation, inviting viewers to experience a seascape of remains which follows a fictional ecological catastrophe. With debris transported by the world’s seas engulfing the museum environment, the elements in the installation come together in a sculptural form that evokes the conglomerates of polluting elements aggregated by the perpetual movements of the ocean, as well as global tourism and its fatal consumption of natural resources.

The large-scale commission at MAAT integrates both plastic residues and abandoned boats collected on Portugal’s shores during beach cleaning campaigns by volunteer organisation Brigada do Mar. Developed along one year of research and field work in Portugal, Kawamata’s project culminated in a workshop involving the local community, with artists and architects led by architectural collective Os Espacialistas.

 

October 5, 2018 – April 1, 2019 | Oval Gallery [MAAT]

ArtDependence WhatsApp Group

Get the latest ArtDependence updates directly in WhatsApp by joining the ArtDependence WhatsApp Group by clicking the link or scanning the QR code below

whatsapp-qr

Subscribe to the Newsletter

Image of the Day

Anna Melnykova, "Palace of Labor (palats praci), architector I. Pretro, 1916", shot with analog Canon camera, 35 mm Fuji film in March 2022.

Anna Melnykova, "Palace of Labor (palats praci), architector I. Pretro, 1916", shot with analog Canon camera, 35 mm Fuji film in March 2022.

Search

About ArtDependence

ArtDependence Magazine is an international magazine covering all spheres of contemporary art, as well as modern and classical art.

ArtDependence features the latest art news, highlighting interviews with today’s most influential artists, galleries, curators, collectors, fair directors and individuals at the axis of the arts.

The magazine also covers series of articles and reviews on critical art events, new publications and other foremost happenings in the art world.

If you would like to submit events or editorial content to ArtDependence Magazine, please feel free to reach the magazine via the contact page.