Picasso’s ‘Golden Muse’ Emerges Onto the Market for First Time

Monday, January 15, 2018
Picasso’s ‘Golden Muse’ Emerges Onto the Market for First Time

A painting of heightened psychological intensity, Pablo Picasso’s Femme au béret et à la robe quadrillée (Marie-Thérèse Walter) brings to a climax a turbulent and highly charged year.

A painting of heightened psychological intensity, Pablo Picasso’s Femme au béret et à la robe quadrillée (Marie-Thérèse Walter) brings to a climax a turbulent and highly charged year. The great masterpiece of his career Guernica was created in 1937, and in the final month of that momentous year he painted this vivid, poignant and intense image of his golden muse Marie-Thérèse Walter. This defining work will be offered for the first time as a star lot of Sotheby’s Impressionist & Modern Art Evening Sale in London on 28 February 2018.

The women of Picasso’s life are the fulcrum of his creative genius, unquestionably essential to his creative and intellectual processes. Femme au béret et à la robe quadrillée (Marie-Thérèse Walter) charts Picasso’s evolving relationship with his muse Marie-Thérèse Walter, to whom he was ostensibly still devoted at the time, and the increasingly dominant presence of his new lover Dora Maar. Indeed, the work appears to have been used as a means for exploring his feelings for the two women. There is a conscious blurring of the two styles inspired by the two muses, reaching its pinnacle in the silhouetted ‘other’ that emerges from behind the main subject. Whether it represents Maar or indeed a self-portrait, the implication is that of duality and conflict. Picasso is quoted: ‘It must be painful for a girl to see in a painting that she is on the way out’.

The beginning of the decade marked a period of sublime happiness for Picasso, as witnessed in the extraordinarily sensual and lyrical paintings of Marie-Thérèse in 1932 – which are the subject of the current acclaimed exhibition at Musée Picasso in Paris and will feature in a forthcoming show at Tate Modern in London. This extremely dynamic painting reveals just how much things had changed for him in the intervening five years. The work’s sharp cubistic edges, thick impastoed paint and black outlines give it an immediate visual impact – the emphatic execution and bold palette packed with emotional charge. The depiction of Marie-Thérèse has matured from the voluptuous curves and sleepy, passive suggestiveness to the woman who gave birth to Picasso’s child. The portrait suggests that she continued to be of central importance to the artist.

Property from a Distinguished Private Collection 
Pablo Picasso
Femme au béret et à la robe quadrillée (Marie-Thérèse Walter)
oil on canvas, 55 by 46cm. 
Painted on 4th December 1937. 

Estimate upon request.

Subscribe to the Newsletter

Image of the Day

Museo Jumex (a private art collection based in Mexico City, Mexico) / David Chipperfield. Image © Simon Menges

Museo Jumex (a private art collection based in Mexico City, Mexico) / David Chipperfield. Image © Simon Menges

Search

About ArtDependence

ArtDependence Magazine is an international magazine covering all spheres of contemporary art, as well as modern and classical art.

ArtDependence features the latest art news, highlighting interviews with today’s most influential artists, galleries, curators, collectors, fair directors and individuals at the axis of the arts.

The magazine also covers series of articles and reviews on critical art events, new publications and other foremost happenings in the art world.

If you would like to submit events or editorial content to ArtDependence Magazine, please feel free to reach the magazine via the contact page.