Instant Stories. Wim Wenders' Polaroids
This exhibition offers a rare opportunity to see the personal and previously unseen Polaroid work of Oscar-nominated filmmaker, Wim Wenders (b.1945, Germany) and provides a singular insight into the artist’s thought processes, preoccupations and aesthetic inspirations.
Valley of the Gods, Utah, 1977 © Wim Wenders Courtesy Deutsches Filminstitut Frankfurt
Whilst his larger photographic works are well known, this is the first time he has shown a selection of the many thousands of Polaroid photographs taken, both on and off location, between the early 1970s and mid 80s. Wenders’ fascination with the Polaroid stems from his early adoption of the format while he was learning the craft of film-making in the late 60s. Polaroids operated as a visual notebook – a way of testing out frames and ideas – but more than that they offered him a kind of liminal space between the subject and the photograph, the photographer and the act of taking a photo, the intention and the outcome.
» The entire Polaroid process (and procedure) has nothing to do with our contemporary experience, when we look at virtual and vanishing apparitions on a screen that we can delete or swipe to the next one. Then, you produced and owned ‘an original’! This was a true THING, a singular object of its own, not a copy, not a print, not multipliable, not repeatable. You couldn’t help feeling that you had stolen this image-object from the world. You had transferred a piece of the past into the present.
– Wim Wenders, writing in his artist’s book of the same title, Autumn 2017 «
Instant Stories presents over 200 of Wenders’ Polaroids encompassing portraits of cast and crew, friends and family, behind-the scenes, still-lives, street-photography and landscapes. Alongside diary-like impressions and homages to his artistic inspirations, including Fassbinder and Warhol, the small format images take us on a literal and metaphoric journey through Europe and the US. From his first trip to New York, his fascination with American TV, views from rooftops (he’d never been so high up before), shop-fronts, roads, cars and many other visual recordings, Wenders’ Polaroids reflect a distinctive and lyrical vision – at once both intimate and portentous.
The exhibition will also feature a selection of moving images from his films, reflecting moments in Wenders’ canon, where Polaroid cameras and still photographs form a vital part of the narrative, such as the photo-obsessed protagonist in Alice in the Cities (1974).
Instant Stories. Wim Wenders’ Polaroids is a collaboration between The Photographers’ Gallery, C|O Berlin Foundation and the Wim Wenders Foundation.
Wim Wenders' films include Alice in the Cities (1974), The American Friend (1977), Paris Texas (1984) and the acclaimed Wings of Desire (1987). He has also directed award winning non- fiction including Buena Vista Social Club (1999), Pina (2011) and most recently The Salt of the Earth (2015). His photographs have been exhibited internationally.
Supported by the Wim Wenders Exhibition Circle
ArtDependence Magazine is an international magazine covering all spheres of contemporary art, as well as modern and classical art.
ArtDependence features the latest art news, highlighting interviews with today’s most influential artists, galleries, curators, collectors, fair directors and individuals at the axis of the arts.
The magazine also covers series of articles and reviews on critical art events, new publications and other foremost happenings in the art world.
If you would like to submit events or editorial content to ArtDependence Magazine, please feel free to reach the magazine via the contact page.