1000 Fifth Avenue,
New York, NY 10028
Heavenly Bodies: Fashion and the Catholic Imagination
May 10–October 8, 2018
Costume Institute Benefit on May 7 with Co-Chairs Amal Clooney, Rihanna, Donatella Versace, and Anna Wintour, and Honorary Chairs Christine and Stephen A. Schwarzman
The Costume Institute’s spring 2018 exhibition, Heavenly Bodies: Fashion and the Catholic Imagination, on view from May 10 through October 8, 2018 (preceded on May 7 by The Costume Institute Benefit) is on view at The Met Fifth Avenue—in the medieval galleries, Mary and Michael Jaharis Galleries for Byzantine Art, part of The Robert Lehman Wing, and the Anna Wintour Costume Center—and uptown at The Met Cloisters. The thematic exhibition features a dialogue between fashion and masterworks of medieval art in The Met collection to examine fashion’s ongoing engagement with the devotional practices and traditions of Catholicism. A group of papal robes and accessories from the Vatican serves as the cornerstone of the exhibition, highlighting the enduring influence of liturgical vestments on designers.
The exhibition features approximately 40 ecclesiastical masterworks from the Sistine Chapel sacristy, many of which have never been seen outside the Vatican. Encompassing more than 15 papacies from the 18th to the early 21st century, these masterworks are on view in the Anna Wintour Costume Center galleries and include papal vestments and accessories, such as rings and tiaras. The last time the Vatican sent a loan of this magnitude to The Met was in 1983, for The Vatican Collections exhibition, which is the Museum’s third most-visited show.
Providing an interpretative context for fashion’s engagement with Catholicism are more than 150 ensembles, primarily womenswear, from the early 20th century to the present, on view in the Byzantine and medieval galleries, in part of the Robert Lehman Wing, and at The Met Cloisters alongside medieval art from The Met collection. The presentation situates these designs within the broader context of religious artistic production to analyze their connection to the historiography of material Christianity and their contribution to the construction of the Catholic imagination.
Designers in the exhibition include A.F.Vandevorst, Azzedine Alaïa, Cristobal Balenciaga, Geoffrey Beene, Marc Bohan (for House of Dior), Thom Browne, Roberto Capucci, Jean-Charles de Castelbajac, Gabrielle Chanel, Sorelle Fontana, Domenico Dolce and Stefano Gabbana (for Dolce & Gabbana), John Galliano (for House of Dior and his own label), Jean Paul Gaultier, Robert Goossens (for Chanel and Yves Saint Laurent), Craig Green, Madame Grès (Alix Barton), Demna Gvasalia (for Balenciaga), Rosella Jardini (for Moschino), Stephen Jones, Christian Lacroix, Karl Lagerfeld (for House of Chanel), Jeanne Lanvin, Shaun Leane, Henri Matisse, Claire McCardell, Laura and Kate Mulleavy (for Rodarte), Thierry Mugler, Rick Owens, Carli Pearson (for Cimone), Maria Grazia Chiuri and Pierpaolo Piccioli (for Valentino), Pierpaolo Piccioli (for Valentino), Stefano Pilati (for Saint Laurent), Gareth Pugh, Yves Saint Laurent, Elsa Schiaparelli, Raf Simons (for his own label and House of Dior), Viktor Horsting and Rolf Snoeren (for Viktor & Rolf), Olivier Theyskens, Riccardo Tisci, Jun Takahashi (for Undercover), Thea Bregazzi and Justin Thornton (for Preen), Philip Treacy, Duke Fulco di Verdura (for Gabrielle Chanel), Donatella Versace (for Versace), Gianni Versace, and Valentina.
Image on top: Image: Evening Ensemble, John Galliano for House of Dior, autumn/winter 2000-2001 haute couture; Courtesy of Dior Heritage Collection, Paris. Image courtesy of The Metropolitan Museum of Art, Digital Composite Scan by Katerina Jebb.
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