National Gallery of Australia Returns Sculptures to Cambodia

Thursday, August 3, 2023
National Gallery of Australia Returns Sculptures to Cambodia

The National Gallery of Australia today announced it will return three bronze sculptures from its Asian art collection to the Kingdom of Cambodia. The works of art being repatriated are Bodhisattva Avalokiteshvara Padmapani, Bodhisattva Vajrapani and Bodhisattva Avalokiteshvara Padmapani.

The repatriation is the result of a decade-long investigation and a highly valued collaboration between the National Gallery of Australia and the Ministry of Culture and Fine Arts in Cambodia, to determine the place of origin of the works of art that were removed from the national collection in 2021 due to the likelihood that they were illegally exported from their country of origin.

National Gallery of Australia, Director, Nick Mitzevich said ‘The decision to repatriate these sculptures to the Kingdom of Cambodia is the culmination of years of research and due diligence that would not have been possible without the support of the Cambodian Government through the Ministry of Culture and Fine Arts; Bradley Gordon and the researchers at Edenbridge Asia; and Nawapan Kriangsak, daughter of the late Douglas Latchford, through her advisor Charles Webb of Hanuman Partners.’

‘We are grateful for their support in identifying the place of origin of these culturally significant sculptures and are pleased we can now return them to their rightful home,’ Dr Mitzevich said.

At a handover ceremony at the National Gallery on Friday 28 July, Susan Templeman, the Australian Government’s Special Envoy for the Arts, said this repatriation is a demonstration of the maturity and respect that exists in Australia’s relationship with Cambodia.

‘It is an opportunity to put right a historical wrong but also to strengthen our ties and deepen our understanding. The National Gallery is to be commended for its diligence and commitment to the ethical management of its collections. We are grateful for the cooperative spirit and graciousness with which the Government of Cambodia has worked with Australia on this issue,’ Ms Templeman said.

Following consultations with the Kingdom of Cambodia the sculptures are set to remain on display at the National Gallery for up to three years, while the Cambodian Government prepares a new home for them in the Kingdom’s capital.

‘The National Gallery welcomes the decision made by the Cambodian Ministry of Culture and Fine Arts to share these important works with the Australian people. This loan agreement signals a new era of collaborative decision-making for the National Gallery, we are grateful for the opportunity and look forward to working with the Kingdom of Cambodia to return the works when they are ready,’ Dr Mitzevich said.

His Excellency Dr Chanborey Cheunboran, Ambassador, Royal Embassy of Cambodia, commended the decision by the Australian Government and the National Gallery to return the works.

‘This is an historic occasion and an important step towards rectifying past injustices, reinforcing the value of cultural properties, and acknowledging the importance of preserving and protecting cultural heritage.’

‘The display and care of the sculptures at the National Gallery and their eventual repatriation highlight the power of international cooperation and more importantly signify a strong Cambodia-Australia cultural link, which is a cornerstone of our bilateral ties’, Dr Cheunboran said.

The repatriation is the second major decision under the Gallery’s Provenance Framework, the first being the deaccessioning of 17 works of art connected to art dealers Subhash Kapoor and William Wolff in 2021and demonstrates the National Gallery’s commitment to being a leader in the ethical management of collections.

Image : (left to right) Ambassador HE Dr CHEUNBORAN Chanborey, Director Nick Mitzevich, and Ms Susan Templeman MP pictured signing loan agreement, National Gallery of Australia, Kamberri/Canberra, 2023. Photo by: Karlee Holland.

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Anna Melnykova, "Palace of Labor (palats praci), architector I. Pretro, 1916", shot with analog Canon camera, 35 mm Fuji film in March 2022.

Anna Melnykova, "Palace of Labor (palats praci), architector I. Pretro, 1916", shot with analog Canon camera, 35 mm Fuji film in March 2022.


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