The exhibition by Lisa Yuskavage at David Zwirner unfolds within a stabilized field of painterly recognition. New collages, chromatic systems, and recursive studio compositions mark a practice that has shifted from aesthetic instability toward institutional consolidation. The work now operates at the center of a system that once derived its force from friction.
The Spanish Committee of the International Council of Museums (ICOM Spain) and the International Committee for Museums and Collections of Modern Art (CIMAM), an organization affiliated with the International Council of Museums (ICOM), express their deep concern regarding the selection process for the director of the Centro Galego de Arte Contemporánea (CGAC), Santiago de Compostela, Spain.
In 2022, the board of the House of Orange-Nassau Historic Collections Trust (SHVON) appointed a committee to oversee an independent provenance research into the legality and ethical dimension of the presence of objects of colonial origin belonging to the Royal Collections.