ArtDependence | Interviews

Article date: Tuesday, February 26, 2019

Mario Klingemann: Instruments of Creation or Can Artificial Intelligence Replace Human?

Mario Klingemann (Munich, Germany) is an artist who uses algorithms and artificial intelligence to create and investigate systems. He is particularly interested in human perception of art and creativity, researching methods in which machines can augment or emulate these processes.

Article date: Monday, February 18, 2019

Analytical and Financial Tools for the Art Market: Interview with Christine Bourron , the Founder of Pi-eX Ltd.

"Art is often seen as a store of value, but actually any art-seller would tell you that ahead of a sale they never know if they will be able to obtain the price they want for an artwork or if they will be able to sell the artwork at all."

Article date: Friday, February 15, 2019

 The Aestheticized Interview with Halida Boughriet (Algeria/France)

Halida Boughriet is a French-Algerian artist who explores a broad range of media making performance a central issue of her artistic expression. At the crossroads of aesthetic, political and social concerns, her productions strive to capture and translate tensions made obvious in human relationships and society at a given historical and social context, including the emotions conveyed in individual and collective memory.

Article date: Tuesday, February 12, 2019

Game Changers for Art: Interview with Bernadine Bröcker Wieder, CEO of Vastari

"We think that the way exhibitions are currently put together is opaque and undemocratic, and the wrong stories are being told at our cultural institutions because of a lack of diversity of networks. Vastari is using technology to break down the barriers and enable collaborations, especially internationally, to make sure that exhibitions are driven by “what’s what” rather than “who’s who”.

Article date: Thursday, January 24, 2019

The Peak of Tension with Sergey Melnitchenko

"At the peak of tension, we desire to understand. At this point, there comes an awareness of the moment where calendar days, affairs and meetings, loved ones and enemies all crumble into a heap, mingling with one another. A state resembling vestibular dizziness in the sensation of imaginary movement, the fall and swaying of oneself and surrounding objects in space".

Article date: Thursday, January 10, 2019

The Aestheticized Interview with Abdoul-Ganiou Dermani (Togo)

"My main interest as an artist is working on various social issues. I work on African cultural identities, search for peace between humans, and also human physical communication in the era of new technologies. In short, I work for a better world".

Article date: Thursday, December 27, 2018

Eastern Zen and Dutch Pragmatism Inform Innovative Designs by Hiroki Matsuura, CEO of MADMA urbanism+landscape and Founding Partner at MASA Architects

"The magnificence of aesthetics seems related to the anonymity of the design. Our office is located in Rotterdam by the harbor. I hardly see the fingerprints of personal design intentions in my view; instead I see beautiful harbor landscapes. My intention in design is to create something that appears as if it already existed there before our personal design intervention."

Article date: Wednesday, December 26, 2018

Conservation and Authentication of Fine Art - Interview with Paul Lindahl, Co-Founder and CEO Arius Technology

A conversation explores how Arius’ cutting-edge art technology has broad implications in the art world; from aiding provenance and art authentication to the introduction of a new fine art print process that merges analog and digital processes.

Article date: Tuesday, December 4, 2018

Interview with Lynn Davis - 'It's My Journey, But You Can Go There Too'

American photographer Lynn Davis is best known for her large-scale photographs in black and white. She staged her first exhibition at the International Center of Photography in New York City in 1979 alongside Robert Mapplethorpe, a long time friend. After a life changing trip to Greenland in 1986, she shifted her focus towards landscape work and away from the human form.

Article date: Friday, November 9, 2018

Roman Lipski - How Art Meets Artificial Intelligence-AI

"My project Unfinished is the first true partnership between a painter and artificial intelligence. At the core of the project is a neural network that was fed with my paintings. The system analysed all facets of my art and learned how to generate an infinite number of unique images. The images supplied me with new compositions, perspectives, and themes".

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Anna Melnykova, "Palace of Labor (palats praci), architector I. Pretro, 1916", shot with analog Canon camera, 35 mm Fuji film in March 2022.

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About ArtDependence

ArtDependence Magazine is an international magazine covering all spheres of contemporary art, as well as modern and classical art.

ArtDependence features the latest art news, highlighting interviews with today’s most influential artists, galleries, curators, collectors, fair directors and individuals at the axis of the arts.

The magazine also covers series of articles and reviews on critical art events, new publications and other foremost happenings in the art world.

If you would like to submit events or editorial content to ArtDependence Magazine, please feel free to reach the magazine via the contact page.